![]() The school recognised this and asked me if i wanted to learn to play any other instruments. GREG: I started piano lessons at the age of 9, so by the time I arrived at secondary school aged 13 I had a solid grasp of musical theory and performance. What was this like for you? How would you describe your own development as a producer and the transition towards your own voice? What is the the relationship between copying, learning and your own creativity? That realisation has served me well over the last 30+ years of music making.įor most artists, originality is first preceded by a phase of learning and, often, emulating others. I loved the process involved in multitrack recording, but what I realised very early on was that the success of a recording was more about the arrangement of the music and instruments than how good your microphones and preamps were. Hue and cry head of production how to#I learned how to engineer in an analogue studio based around a 1inch, 16 track machine through a trident desk. GREG: In 1984, at the age of 17 years , I started working at a recording studio in Glasgow called Berkeley Street Studios. What was your first recording-related job - and what or who were your early passions and influences? What is about music and/or sound that drew you to it? ![]() Hue And Cry will also tour the UK this November. Website / Contact: If this 15 Questions interview makes you want to find out more about Hue and Cry, visit their facebook profile or personal website to find out more and order releases directly from them. And the book that will change you life is called Infinite and Finite Games, by James Carse. PAT: You should listen to Rain Dogs by Tom Waits about once a month. ![]() GREG: Have a look at the architecture of Zaha Hadid and the design of Giogetto Giugiaro. Current Release: Pocketful of Stones on Blairhill Records ![]()
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